“Mad Men”-Inspired Cornice Board

So yesterday’s post was a PERFECT lead-in to today’s DIY project – Funny how that worked out 😉

One of our latest television obsessions is AMC’s series “Mad Men” – The show is based in the early 1960’s so, even if the dialogue and plot were crap (which they definitely AREN’T), I would still watch it just to drool over the clothes and furniture.

See details below…

Here are a few shots of the gorgeous clothes:

And now the furniture…Oh how I wish I had work spaces like these!

Now that last photo is the one I really want you to pay attention to – It’s the one that inspired the next DreamGreenDIY team project!

If you’ll notice, the windows have sleek, painted cornice boards around the windows. I love that, even though the piece is really simple, it manages to add depth and interest to an otherwise run-of-the-mill window.

As we all know, there was a lot of panelling back then…Not exactly my favorite feature of the 60’s (although John loves it!), but done RIGHT it can be really dramatic. There’s a stained wood detail in almost all of the images above, so I thought it would be interesting to marry the two and create an unpainted wooden cornice board – My ode to “Mad Men” and the 1960’s 🙂

Supplies:

  • One 1″x8″x8′ pine board, cut into three sections (one 73 3/8″ board and two 8″ boards – BTW, we had the nice man at Lowe’s cut this down for us since we don’t own a table saw)
  • Small can of Minwax Wood Finish in whatever color best matches the rest of the wood elements in your house (we ended up getting “Golden Oak”)
  • Sandpaper
  • Two 3″ L-brackets
  • Screws and drill/screwdriver

The first step was to sand the wood boards down so they were smooth and clean. John also sanded down the edges and corners a bit so that they were slightly rounded and a little more “finished” looking.

After all the sanding was taken care of, it was time to stain. This was my first time ever staining, so I was a bit apprehensive. Especially when John had to go run a car-related errand, leaving the staining up to me…My dad is a professional wood-worker, so I’m not completely unfamiliar with stain – But I definitely “wung it” on my own that day.

In my (very inexperienced) words, all I did was stir the stain with a paint stick, dip a clean folded rag in the stain and spread it on the wood. I went with the grain of the wood and just kept putting on the product until it was dark enough for me. The can said that I should put a layer of stain on, wait 5-15 minutes (depending on how dark/saturated I wanted it to be) and then wipe it off. But when I started putting it on, it was so thin that I didn’t really have anything to wipe off…I probably could have waited a day and done another coat if I wanted it to be darker, but you know I’m super impatient.

I’m not sure if the splotchiness is from the grain of the wood or just my crappy stain job – But I think I’m going to go with the idea that the grain is just really interesting! I swear it looks a lot better in person…

Anyway, after John came home, surveyed my work and gave it his own first-experience-with-stain approval, we waited a few hours and then started putting it together.

It was a fairly straightforward process. First we picked the sides of the wood that looked the best to face outward (I stained both sides since you’d be able to see the inside a little when up on the wall) and laid it out on the floor. The two short 8″ boards went perpendicular to either end of the long 73 3/8″ board.

Then we took a drill and pre-drilled holes in the ends to attach the short boards to the long. After screwing everything together (it ended up only needing one screw on either end – Thank goodness pine is so light), we needed to attach the L-brackets to the short boards for actually mounting the cornice to the wall.

We measured an inch from the top of the short boards and marked where to screw in the brackets. Pine wood is so soft that we didn’t need to pre-drill for these shorter screws. We just marked where the holes would go with a pen, started the hole by using a hammer and nail, set the screw in the hole and then threaded it in using a manual screwdriver. Easy peasy!

After doing the same thing to the other side, we just needed to mount it above the window! I didn’t get any photos of this part because we were both preoccupied with holding the board up to the window, measuring, leveling and marking – But I’m sure you can imagine it 🙂

Here are the final steps to the process:

  • One person holds the cornice board up against the window while the other makes sure its in the right position and that its level
  • While one person continues to hold the whole thing up, the other makes marks on the wall where the L-brackets should go (push a pen through the bracket holes against the wall)
  • Set the cornice board on the floor again and remove the screws holding the long board to the short ones. It’s much easier to screw the short boards into the wall by themselves and then reattach the long one afterwards.

  • After the short boards are up, screw the long board back in. All done!

Sidenote: We discovered that it was easiest to just take down the standard curtain rod that was already screwed into the wall above the window. It got in the way of our L-brackets when we started to put it up. So we threaded the curtains onto a tension rod (that we already had!) positioned between the short ends of our cornice board. It ended up being for the best anyway because it brought the curtains out further from the wall and made the window seem bigger somehow.

So before…

And after!

This was our very first wood-working project together and I think we are BOTH excited for more now that we have this one under our belts! Seeing such a high-impact piece on the wall that we somehow managed to pull off gives us a great sense of accomplishment.

Can’t wait till our next adventure!

(Photo credits for “Mad Men” images: here, here, here, here, here, here and here)

Style Evolution

Everyone has a style. Depending on when and where you were born and raised, culture influences all of our design choices. And since culture is always changing, it’s not surprising that styles are constantly evolving too – At least that’s certainly been the case with me! My mom used to joke that my bedroom growing up was literally getting smaller because of the many layers of paint…My style changed just about every 6 months and I loved change – I went from dark evergreen walls and magnolia flower accessories, to pale blue walls completely covered with torn pages from Seventeen and Elle Girl magazines in my teenage years – And I do mean COMPLETELY covered.

Sort of like this (but I didn’t look that chic doing it)

My point is that, while growing up, my style was constantly evolving with the times (and with my maturity level) – Maybe you can agree with this statement!

As I’ve gotten older though, I’ve begun to stick to a pretty consistent “look”. My love for change is DEFINITELY still there (you’ll probably see me rearrange every room in the house at least a few times a year), but my wide array of design experiements has slowed down and found a more solid foundation. Now to deliberately try to find out what it is that influences that style…It was actually pretty easy for the light bulb to turn on once I started thinking about it.

I am a classic movie fanatic – I adore 1950’s, 60’s and early 70’s movies and have started a decent DVD collection of my favorites. A HUGE “Thank you!” goes out to my parents for having shown my sister and I all the “greats” when we were growing up. I almost exclusively watch classics now – I rarely go out to the movie theater because they just don’t make movies like they used to in my opinion. In fact, John and I have yet to go out to a movie together – We prefer to “Netflick” a few classics and stay in.

Sidenote: Yeah…I know that may sound stuck up, but it’s just my own little opinion – You’re free to retort with “I don’t ever watch old movies because they can’t live up to today’s lineup”. John, my sister, my parents and I are the only people I know who watch classics, so I understand that we may be an oddity. And I can DEFINITELY say that there are some exceptional modern movies out there!

Anyway, there is no doubt in my mind that my style comes from old films. Lately, I’ve been really studying the rooms in my favorites (like “Sunday in New York”, “West Side Story”, “To Catch a Thief”, “The Way We Were”, “Any Wednesday”, etc.) and have noticed the basics – Furniture with straight lines, off-center and asymmetrical wall art arrangements, eclectic colors, organized clutter, etc.

It was surprisingly difficult to find good interior shots of the greats, so I’m going to have to encourage you to go watch them for yourself 🙂 Here is a small collection of photos from two fabulous old movies I WAS able to find…

“Sunday in New York” – 1963

“Butterfield 8” – 1960

Oh, and the lovely Miss Taylor posing in the shots above has reminded me that we can’t talk about old movies and NOT talk about the clothing and hair style…Feast your eyes on these goodies…

Jane Fonda – “Barefoot in the Park” – 1960
And my all-time favorite – Miss Grace Kelly…

::happy sigh::

So now you know why I will spend months searching for the perfect mid-century modern sideboard for our TV stand (which we finally found! See here) or why I like to arrange art on the wall in an unbalanced way. It’s all because of the old movies I watch and the classic actresses I idolize.

I hope you go out and give some of these movies a shot! If you’re looking for a recommendation, here is a list of some of the best (in my eyes):

  • “Children’s Hour” – 1961 (Audrey Hepburn, Shirley MacLaine, James Garner)
  • “West Side Story” – 1961 (Natalie Wood, Russ Tamblyn)
  • “Country Girl” – 1954 (Grace Kelly, Bing Crosby, William Holden)
  • “Any Wednesday” – 1966 (Jane Fonda, Jason Robards, Dean Jones)
  • “Dial ‘M’ For Murder” – 1954 (Ray Milland, Grace Kelly, Robert Cummings)
  • “The Birds” – 1963 (Rod Taylor, Tippi Hedren)
  • “Sunday in New York” – 1963 (Rod Taylor, Jane Fonda)
  • “Funny Girl” – 1968 (Barbra Streisand, Omar Sharif)
  • “Two for the Road” – 1967 (Audrey Hepburn, Albert Finney)
  • “Holiday” – 1938 (Katharine Hepburn, Cary Grant)

(Photo Credits for magazine-covered room: here; for “Breakfast at Tiffany’s”: here; “Sunday in New York”: here, here, here; “Butterfield 8”: here, here, here; “Barefoot in the Park”: here; Audrey Hepburn: here; Grace Kelly: here, here)

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